The representation of characters is a signifgant role in the film. All this is comfort. The sonic environment here is all comprised of non-diagetic sound. From a cinematic viewpoint, I would try to make the film realistic where possible would shoot on location.
Juliet, however, is resolute in her decision to die rather than enter into a false marriage: As the Capulets drive into the station, the first obvious reaction is that they look slicker than their rivals. The names of Romeo and Juliet would be left unaltered as they have a powerful association that it could reduce the power of the story if it was changed.
As we see the Capulet car drive into the station the camera shot turns almost as if it ran towards the car and then turned on its heel. The language used in the script would follow the broad outlines of the play but it will be updated for a modern audience.
When her mother suggests that she marry Paris because Paris is rich and good looking, Juliet responds: Romeo and Benvolio are on the fringes of the underworld, supporting their families but not yet fully drawn into the family business. While Juliet is often described as the light and thus Romeo's cherished love, the darkness is sometimes good.
In her relationship with Romeo, Juliet is loving, witty, loyal, and strong. For never as a story of more woe Than this of Juliet and her Romeo. All this is comfort. The servants would use would use a more educated semi-formal type of speech without word-play.
Romeo 's indictment of his unrequited love for Rosaline "O, brawling love, O loving hate ; the Prince 's monologue about violence in the street "With purple fountains issuing from your veins" ; Mercutio 's Queen Mab speech "foul sluttish hairs".
The most interesting thing I find about this piece is it was never scripted, never thought about, it was just something the editor, Jill Billcock, did.
Though she means to compliment Paris, Nurse creates a contrast between Romeo and Paris. As the two families show their weapons the edits are fast, the sound is almost like that of a sword cutting the wind.
The light and dark imagery of Romeo and Juliet is used for sensory contrasts.
The background music stops, all we can hear is noise from the traffic. When Tybalt shows his gun the camera slowly tracks and zooms in to his holster.
The opposite image is the lark. As we see the nuns vehicle, the shot seems to have been done with a wide angle lens and with then Sampson, the depth of field is quite shallow as he teases the nun and students.
Look, love, what envious streaks Do lace the severing clouds in yonder east. Here again we could emphasise class difference. It is the East, and Juliet is the sun. This establishes a pattern for their relationship in which Juliet displays greater maturity, particularly in moments of great emotional intensity.
The use of speeded up camera movements also give a comic feel. The servants could fight with fists and pieces of wood. The fire takes hold and we see copies of the local newspaper telling stories of Montagues and Capulets. Nightly she sings on yond pomegranate tree.
The colours also could relate back the Renaissance artists, when the Shakespeare actually wrote the play.Scene Analyzed: The Opening Sequence of the Baz Luhrmann directed ‘William Shakespeare’s Romeo & Juliet’ () from the Introduction to the end of the Garage scene, or The Prologue.
The Baz Luhrmann directed ‘William Shakespeare’s Romeo & Juliet’ tells the Romeo and Juliet story using Shakespearean Language set in a modern day environment.
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Romeo and Juliet (Film ) study guide contains a biography of Baz Luhrmann, literature essays, quiz questions, major themes, characters, and a full summary and analysis. These papers were written primarily by students and provide critical analysis of Romeo and Juliet (Film ).
Romeo and Juliet: A Film Study; Religious Imagery in. Get free homework help on William Shakespeare's Romeo and Juliet: play summary, scene summary and analysis and original text, quotes, essays, character analysis, and filmography courtesy of CliffsNotes.
In William Shakespeare's Romeo and Juliet, a long feud between the Montague and Capulet families disrupts the city of Verona and causes tragic results for Romeo and Juliet. There is a great deal of imagery in Shakespeare's Romeo and Juliet. When trying to find examples of imagery in this or any other Shakespeare play, it is a good idea to look to the major monologues.
When trying to find examples of imagery in this or any other Shakespeare play, it is a good idea to look to the major monologues.
Variations on this imagery are repeated again and again—images of Juliet as a sun rising in the darkness, of Juliet's eyes shining in the sky, images of Romeo's body cut out in little stars, of Romeo and Juliet's love as a bright furious lightning flash.Download